Race to Discover “The Da Vinci Code”
By Cate Rees-Hessel
“The Da Vinci Code” is certainly a very different type of theatrical experience for Drury Lane audiences, but it is very consistent in having the excellence we have come to expect from this beautiful theater. Although as a devout Catholic Christian I don’t agree with the premise of this work, I find it intriguing. I believe Jesus is God’s son, however, as a woman I truly admire Mary Magdalene; she was an extraordinary lady that loved the Lord as I do and this very interesting production finally gives her recognition she deserves. After all, It was Mary that discovered the empty tomb on Easter morning. I actually saw this production on Easter; Drury pulled out all the stops with a holiday photo backdrop, pastel balloons, baskets, a bench, and pair of topiary bunnies. I love that this theater gives a complete experience to their patrons.
This amazing play is the ultimate murder mystery/intrigue thriller – it is edge of your seat riveting, eerie and dramatic, with a fabulous cast. The use of lighting and moving stage parts add to the overall effect. A surveillance camera picture array projected on the main curtain during intermission shows real time views of the lobby of Drury Lane with simulated images at the Louvre and other Paris locations. Lighting and projections on the stage, as well as to the right and left of the audience are absolutely fabulous. Mathematics and other sciences are used as the search for a legendary artifact is played out. A large screen version of the Mona Lisa in puzzle like pieces is extremely enthralling, the anagrams letter perfect, as are the written questions projected for the theatergoers trying to solve the mystery along with the main pair. Costumes are extremely appropriate and attractive.
The entire ensemble give tremendously effective depictions, breaking the fourth wall at the beginning of the first act with ease. The two principals are absolutely spell binding, giving flawless performances. Chicago area favorite Jeff Parker as the somewhat neurotic, Mickey Mouse watch wearing Harvard symbolist professor Robert Langdon, has enormous stage presence – his characterization is perfect. The lovely Vaneh Assadourian in the female lead, Sophie Neveu, is very convincing – an incredible actress that I hope to see more of.
This serious adult drama has comedic moments and lots of action; there are surprising twists and unexpected turns as the codes are played out, giving new meaning to “the butler did it”, apples, and Siri. To get my meaning, you need to satisfy your curiosity with tickets to this marvelous show. I highly recommend “The Da Vinci Code” – you won’t be disappointed; for tickets or more information, open www.drurylanetheatre.com.

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