Opera Festival of Chicago Perfectly Puts On “Pagliacci”

By D’Arcy Mies with Wes Hessel

Opera Festival of Chicago’s Pagliacci started with Tonio (“The Prologue”) walking through the aisles singing and then finding a place to enter through the closed curtains. It opens onto a lively scene of an Italian country village, excited about the traveling performance troupe. There was a great ensemble/chorus, including men, women and children. There is merriment and lots to see and hear as the story is set up. This was fun and stylistic choreography; of course, the singing and orchestral talent was so apparent.

The troupe of performers include the star, renowned clown Canio and his wife Nedda, the leading lady – infidelity, jealousy, and murder ensue. There was a single set that, in the second act, became the “stage” for the commedia dell’arte style performance that ends (apologies for the spoiler) tragically.
My friend and I enjoyed the costuming, which gave a 1930’s vibe. The outfits and set were enjoyable; it was a special treat to be so close to such a large and vibrant cast and large orchestra. The audience was good spirited and it was truly a treat. To anyone who might be hesitant to try the opera, this would be a great introduction. To those who already love opera, the opportunity to see this classic work was excellent. For future great opera productions, please see www.operafestivalchicago.org.

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