Full and Fabulous
By Cate Rees-Hessel
The Oxford dictionary gives us the following definitions of “the full monty”: “The full cooked English breakfast” “The full amount expected, desired, or possible.” Or, as a British slang phrase of uncertain origin, “Everything which is necessary, appropriate, or possible; ‘the works’.” “Something that impresses you because it includes everything that you could possibly expect it to include.” “The whole shebang, the whole nine yards, the whole package.” These certainly define Paramount Theatre’s fabulous production of “The Full Monty”.
This hilarious comedy is one of best musicals I have ever seen. The sets are very well done, particularly with the backdrop of the steel mill, a bridge, and during one scene, a gorgeous full moon. Furnishings are appropriate and realistic, costumes both colorful and true to life. The music is delightful, vocals very strong, and Paramount’s orchestra is spot on.
Serious subject matters including unemployment (the male characters having lost their union jobs at the mill in Buffalo, NY), marital issues, and suicide are handled with an appropriate amount of wit and sensitivity. One very poignant moment occurs at a funeral – the 23rd Psalm segues into a beautiful ballad “You Walk With Me”. We are reminded that God has a sense of humor and we don’t have to face life’s problems alone. Friendship is center stage in this theatrical work, as are family relationships. We learn the lengths that loving father will go for his son and what a loving son will do for his dad.
This full on comedy is infectious and the dramatic moments are meaningful. Comic timing is impeccable and the energy level is contagious. I was extremely impressed with the use of lighting, especially an innovative trick at the end of the second act. As always, the Paramount stage is size positive, recognizing beauty in everyone. We often understand the struggles women face in accepting their bodies, but this production shows us that men face the same insecurities regarding being comfortable in one’s own skin.
No review of this stellar production would be complete without a mention of the extraordinary acting. Each cast member from the principals to the ensemble are outstanding. I want to give a special shout out to the two talented young gentlemen alternately playing the only child role in the show, Will Daly and Ellis Myers. This supreme musical is for mature audiences and not to be missed. Get your tickets before the final curtain falls October 6th. For tickets or more information, please visit their website at www.paramountaurora.com.
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