“Little Shop” of Theater Excellence
By Cate Rees-Hessel
Although I have seen quite a few excellent stage productions of “Little Shop of Horrors”, this theatrical work is the first “Music Theater Works” show I have experienced, and to say I am impressed is a gross understatement. I loved the fresh elements brought to the table in this well-known older classic, while keeping the integrity completely intact. This company’s professionalism shines in every element of this stellar musical. The orchestra is excellent, the musical score brought beautifully to life. Kyle A. Dougan’s direction is both original and classic, a brilliant mix with extremely entertaining results. “Little Shop of Horrors” has frightening elements, humor, and drama, a perfect blend.
I loved the use of lighting right down to the blinking letter “O” in the florist shop neon. Costumes were equally impressive, just the right amount of glitz on the trio of Crystal, Ronette, and Chiffon. I loved the fact that Audrey’s costumes broke away from tacky norm, favoring more stylish ensembles giving her character the depth she is striving to achieve. A white outfit in the second act was appropriately symbolic. Little touches include the use of magazines in the first act and a skid row wino shouting “L’chaim” at an appropriate moment give this fun production uniqueness. The set is well-crafted with a surprise surrounding the audience at the end. The actors break the fourth wall with ease making for a spectacular Broadway worthy finish that brought the audience to its feet.
The puppetry is marvelous – puppeteer Alex Villasenor handles the plant perfectly, bringing Audrey II to life. Najee Musiq Rawls is the voice of the evil plant, and he does an exemplary job, believable and extraordinary. China Orr as Crystal, Michaela Dukes as Ronette, and Kiana Beverly as Chiffon are beautiful, talented, and sultry. Sam Nachison plays the dentist Orin as well as a bevy of other characters – his costume changes are quick, but he never misses a beat, making each character different.
Mr. Mushnik is characterized well by Thomas Shea. He has a booming stage presence as the put-upon florist; his character’s motivations are not entirely pure, and Shea portrays this realistically. Audrey is brought to life by the lovely Kayla Shipman – her blend of innocence and street hardness is gracefully played out. Her character’s desire for a simple uncluttered existence is evident in every scene. Jimmy Hogan is the best on stage Seymour I have seen. He is a very gifted actor dramatically, but with exemplary comic timing, a rare blend of preeminence. Hogan’s performance builds throughout the show, his portrayal strong and credible.
The vocals and dance moves are well executed. “Suddenly Seymour” early in the second act brings the house down with exquisitely blended voices. “Little Shop” shows us the human element at its worst and best, spooky yet lighthearted; it shows us the highs and lows of life. Guilt ridden yet hopeful, making us think, feel, laugh, and maybe shed a tear. I highly recommend this quaint “Little Shop” for a lively and fun experience, running now through November 17th. Music Theater Works will then close its 2024 season with the fabulous upbeat musical “Legally Blonde” – for tickets or more information, please see www.musictheaterworks.com.
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